MI2N
Music Industry News Network
MONDAY, DECEMBER 22ND
Advanced Search
MusicDish Advertising Network
Subscribe to Mi2N's Free Newsletters B2N (business) i2N (indie)
HOME | FREE NEWS SUBMISSION | PREMIUM PR DISTRIBUTION | PR COPYWRITING | RSS FEEDS | TESTIMONIALS | CONTACT

Sections: Band | Business | Career | Events | Label | Music Releases | Radio | Tech | Video | Web Events
Genres: Country/Folk | Dance/Electronica | Jazz/Blues | Latin | Rock | Urban | World
International: Asia | Canada | Europe

Advertise | Artist Development | Submit Video | MusicDish*China | MusicDish e-Journal | MusicDish Network | Urban Music News Network
Tech News (more headlines) 04-15-2014

SSL Live Console On The Road With Flogging Molly’s GREEN 17 TOUR

Bookmark and Share
LOS ANGELES - When an analogue stalwart front-of-house engineer who's known to eschew digital consoles finally finds one that meets his standards it's a milestone. Flogging Molly is named for their inauspicious start playing Molly Malone's Pub in Los Angeles Monday nights in the Nineties. The seven-piece Irish/American, punk/folk ensemble is a rock band with traditional Irish instruments, fronted by Dave King on acoustic guitar and Bridget Regan on fiddle, with electric guitar, bass drums, accordion and banjo. An SSL Live console, supplied by VER Tour Sound, the latest addition to SSL's Live partner network, was deployed at front of house for the group's 10th Annual GREEN 17 TOUR, the band's countdown to St. Patrick's Day. Stopping at 27 cities, the tour started at Atlanta's Tabernacle and ended five weeks later at New Orleans' House of Blues.

FOH engineer Kevin Lemoine describes the tour as "theaters and larger clubs, like the House of Blues, with loudspeakers ranging from a very nice d&b J-series outside where everything is pristine and clean, all the way down to 15-year-old EV boxes."

Lemoine has mixed Green Day for 13 years and is known for carrying an analogue console during most of his tours. He has mixed a number of other well-known acts, including Sugar Ray, Buck Owens, the Luna Chicks, Iggy Pop, Ice-T, Jane's Addiction, The Black Crowes and The Reverend Horton Heat, among others.

VER's Jason Vrobel has worked Green Day shows with Lemoine since 2004 as crew chief and system engineer. "I've known Kevin for a very long time," Vrobel states. "He's always been anti-digital. Always uses analogue as much as he possibly can. Anytime there's analogue/digital situation, it wasn't his choice. This was the first time he was extremely happy."

"I didn't have any time on the SSL Live before we went out on tour," says Lemoine. "Back at VER, Jason programmed the inputs, effects sends and returns, groups, basically assigning the whole console before the tour. So no training, a little bit of YouTube searching about how things work, how it was set up, how it operated, but the rest of it was hands-on right there. It's not a very difficult console to get around on."

SSL Live is designed to provide a flexible workflow with several operational approaches, combining a large multi-touch daylight screen, with a second channel control screen surrounded by dedicated encoders, and up to three five-layered, 12-channel fader tiles plus, under the hood, there's abundant, adaptable bus architecture. "The first day, was a little nerve-wracking because I was just learning the console," says Lemoine. "Second day, I got a little deeper into what was available on each input; compressors, limiters, gates and how things worked. For the stuff that you use every day, it's laid out pretty well. The sound was great on the first day and throughout the tour, I just refined the great sound.

"There are two schools of thought from a FOH perspective," continues Lamoine. "Pretty much, it boils down to digital versus analogue consoles. To my ear, and to most of my friends' ears, analogue consoles sound the best, but the one negative factor is transport, size, weight and all that stuff. On the other hand, you have the digital realm where the console is small, light and easy to pack around, but their sound is usually kind of inept, I think. The features are there, but in the end, the sound isn't really what you're looking for. So now, you have this SSL Live, which seems to be in its own realm. It's a small digital console, easy to pack around and fits into any venue, but it doesn't sound like a digital console, it sounds like an analogue console. It's very pleasing to the ear.

"It's a very wide sound stage," adds Lemoine. "A lot of consoles don't go that wide. It's nice to hear your drummer's toms go from left to right and hear a true stereo image on your cymbals. It's definitely a wide sound stage. Bar none, it's the best digital console on the market. I have no doubt in my mind. I really like Live's mic pres, they're pretty amazing."

Solid State Logic is the world's leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Bookmark and Share

back | top



MusicDish Advertising Network

Mi2N Music PR

Darrell Cole's "Swahili" Fights Negative African Stereotypes

The Inspiration Behind The Versions Of "Santa Baby" Remakes... Hint, Never Marilyn Monroe!

China Arts Foundation International 2015 New Year's Concert

EVENTIDE UPDATES TIMEFACTOR WITH NEW LOOPER

The New Black 7 Release "God Willin' And The Creek Don't Rise" EP

Indie Act Automatik Eden Garner Rave Reviews For Both EP And Video With Their New Release "Gold To Straw"

Luna Sopor Releases Second Album - Cobalt - Rock

EVENTIDE ANNOUNCES H9 MAX



MusicDish*China Song Blast
Promote Your Music Single In China

News Headlines
Mi2N EDITOR'S PICKS
» Ole Receives Indie Publisher Of The Year Award From AIMP
» EVENTIDE UPDATES TIMEFACTOR WITH NEW LOOPER
» [PIAS] Agrees Deal With Ipecac Recordings
» Award-Winning Documentary Film Featuring Top Drum And Bugle Corps Presents Unique Fundraising Opportunity
» Discover Underground Music On Skunk Radio Live
» ASCAP CEO John LoFrumento Announces Retirement
» Digital Musical Holiday Cards Are All The Rage, And Live365 Has The Solution
» China Arts Foundation International 2015 New Year's Concert
» MATCHSTICKMEN STAND UP TO BULLYING WITH CHARITY SINGLE
» John Fogerty Statement About Current Lawsuit


Get your music news covered...
Have your press release written
by the pros at Mi2N

Articles
MUSICDISH E-JOURNAL
» Is Nashville's New "It" City Status Threatening Its Musical Roots?
» The Connect Sessions: An Extravaganza Presented By SPIN And Powered By Microsoft
» BMG Signs Worldwide Rights Management Deal With Chinese Music Company Giant Jump
» CMA Gives Snapshot Into Music Discovery Behavior
» How To Manage Your Talent: FIVE Realistic Tips For Success
» Executive Wach: Villanova University School Of Law, Mozart's Estates Theatre, Universal Music Publishing Group, Music Group, HighVolMusic, New West Records
» PRS Guitars Amps Up 30 Years Of Manufacturing
» Spotify Overtakes ITunes In Europe For Kobalt
» Incisors Break Through The Dawn With Their Debut Album On Nov. 28
» The First Chinese Rock Exhibition Launched In Beijing
» CIAM Congress Meets In Nashville To Discuss Music Copyright In The Digital Age
» The Modern Musical Magi Of Beijing

Mi2N's Music PR distribution service guarantees online exposure for your press release. Choose from seven (7) different packages.


HOME | FREE NEWS SUBMISSION | PREMIUM PR DISTRIBUTION | PR COPYWRITING | RSS FEEDS | TESTIMONIALS | CONTACT

Sections: Band | Business | Career | Events | Label | Music Releases | Radio | Tech | Video | Web Events
Genres: Country/Folk | Dance/Electronica | Jazz/Blues | Latin | Rock | Urban | World
International: Asia | Canada | Europe

Advertise | Artist Development | Submit Video | MusicDish*China | MusicDish e-Journal | MusicDish Network | Urban Music News Network
Copyright © 1997-2014 MusicDish LLC, all rights reserved. Text, graphics, and HTML code are protected by US and International Copyright Laws, and may not be copied, reprinted, published, translated, hosted, or otherwise distributed by any means without explicit permission.